Home of the SxSW 2012 Panel:

Data Visualization is Dead

Long Live Data Visualization!

Monday, March 12 | 12:30PM - 1:30PM | Austin Convention Center | Ballroom A
See more about this panel here! Twitter hashtag: #SXlldv.

What's it about?!

Data visualization is everywhere! It’s in your health records and in the advertising section of your morning news paper (if you still read such things.) It makes us laugh, it makes us wonder and it can make us outright angry. It’s used for art and it’s used to sell you cereal, all the while helping scientists cure cancer. What will come of data visualization as a medium? Are our concerns unnecessary or should we take swift action to save this form of communication? Join our controversial conversation where we’ll discuss the many uses of data visualization and what the future might (or should) hold in store.

Who's here?

We have a fantastically
amazing set of panelists!

We have:
Data Artists,
Data Visualization Scientists,
Graphic Designers
and even a data visualization cat.

Actually, the cat hasn't confirmed yet.


Ladies and Gents, Your Panelists:


Robert Kosara
UNC Charlotte

Robert

Robert Kosara is a professor of computer science and a blogger on visualization and visual communication at eagereyes.org. His interests range from the perception of information through visual means to understanding the ways we communicate information in different ways.

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While the exploration and analysis of data have been covered well in visualization, the current tools and techniques for presentation are in their infancy. That provides both an opportunity and a challenge, as we try to figure out how to do things and what criteria to apply to test if we've succeeded. Robert is an advisor for infographics startup Visual.ly and also works closely with Tableau Software.

Rosten Woo

Rosten

Rosten Woo is a designer, writer, and educator living in Los Angeles. He is co-founder and former executive director of the Center for Urban Pedagogy (CUP), a New York Based non-profit organization dedicated to using art and design to foster civic participation.

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His work has been exhibited at the Cooper-Hewitt Design Triennial, the Venice Architecture Biennale, Netherlands Architectural Institute, Storefront for Art and Architecture, Lower East Side Tenement Museum, and various piers, public housing developments, tugboats, shopping malls, and parks in New York City. He has written on design, politics, and music for such publications as the Village Voice, Rolling Stone, City Limits, and Metropolis Magazine. His first book, "Street Value," was published by Princeton Architectural Press in 2010.

In New York, he was an adjunct professor at Parsons the New School for Design and developed curricula for public high schools throughout the city. He has lectured at Brown University, California College of the Arts, the Chicago Art Institute, Chicago University, MIT, and Princeton University and worked as a researcher and policy analyst for non-profit organizations like Common Ground Community, Place Matters, and the Greenpoint Manufacturing and Design Center. He has served on the boards of NYC non-profits Place in History and the Groundswell Community Mural Project. He received his BA in Government from Cornell University.

Dylan C. Lathrop
Good.IS

Dylan

Dylan C. Lathrop is currently the Editorial Design Director at GOOD based in Los Angeles, where he designs and helps art direct the quarterly magazine, creates infographics, illustrations, and provides ideas to the dynamic work being done by the company.

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He graduated from the Minneapolis College of Art and Design in 2009 with a BFA in Graphic Design, and in his final two years there he was a staff designer at the school's in-house studio, DesignWorks. During that time he worked with the school and surrounding NGOs on various projects, informing his growing interest in design as a catalyst for doing good in the world. He never once made an infographic in school, and now he makes them a lot. He finds that pretty weird.

Irene Ros
Bocoup, LLC.

Irene

Irene Ros is an engineer and artist from Cambridge, MA. Her work focuses on designing and building engaging visualizations and user interfaces using web technologies. Her artwork focuses on the intersection of humanity and technology. Recently her work has been written about in the New York Times and the New York Times Open Blog, as well as Fast Company.

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Irene is the creator of NYTWrites, a visualization tool that explores The New York Times authorship. She is also the co-creators of Many Bills, a visualization of congressional legislation aimed at lowering the barrier between the U.S legislative process and citizens. Many Bills combines Visualization techniques with Natural Language Processing and Information Retrieval to offer varying amounts of detail to users. Irene is also one of the developers on the "Many Eyes":http://many-eyes.com project, a collaborative visualization tool that allows users to gather data, visualize it and discuss their visualizations on and off the site. She was also a part of the effort to launch The New York Times Visualization Lab, a derivative of Many Eyes. Irene also explored MBTA usage patterns in her visualization of A Day of MBTA.

Irene Ros is currently a Senior Programmer at "Bocoup":http://bocoup.com. Previously she was a Research Developer at "the Visual Communication Lab":http://thevcl.com, at the Center for Social Software at IBM Research.




Have questions you'd like to submit before the panel?

We can't wait to start the conversation! If you have any questions you'd like to submit before the panel, please leave them here. We will also be watching the twitter feed during the panel and take questions from the audience.

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Questions? Email: Irene Ros